“Opacity: Obscured Meaning’’ – a commentary on enslaved Africans in the Middle Passage
By Lincoln DePradine Jamaican-born Karen Carter, who grew up in Scarborough, has worked and volunteered in the arts and cultural industry for more than a quarter century. Naturally, Carter knows good art. In that category, she includes Stanley Wany’s “Opacity: Obscured Meaning’’, which has been on exhibition at the Toronto gallery of the Black […]